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Phryzzinian Man - Nate Wooley - (Dance To) The Early Music (CD, Album)

Label: Clean Feed - CF350CD • Format: CD Album • Country: Portugal • Genre: Jazz • Style: Contemporary Jazz
Phryzzinian Man - Nate Wooley - (Dance To) The Early Music (CD, Album)

Nate Wooley: (Dance to) the Early Music album review by Luca Canini, published on February 8, Find thousands jazz reviews at All About Jazz!

 · Defying boundaries, those which state that there is a corner represented by Wynton Marsalis and an opposite corner in which Nate Wooley has marked his own name, the Nate Wooley Quintet presents us with an unexpected CD of the leader’s own versions of Marsalis’s music.

A young(er) Nate Wooley also listened to those same albums, and was profoundly influenced by them — I know this from his very clear liner notes, which are a model of honest concession about the complexities of pursuing modern music. For Wooley — and me — at that age it was about making his teen heart pound from the power of jazz music.

All About Jazz – Troy Collins’ Best Releases Of Madalena Borges – Decem. Tomajazz – Nate Wooley Quintet – (Dance to) the Early Music. Madalena Borges – Decem. The Squid’s Ear – Nate Wooley Quintet – (Dance to) the Early Music. Madalena Borges – J.

 · By Joachim Ceulemans. Op zijn meest recente plaat voor het Clean Feed-label komt trompettist Nate Wooley met een behoorlijke verrassing op de proppen. ‘(Dance To) The Early Music‘ bevat namelijk bijna uitsluitend muziek van Wynton Marsalis, de Amerikaanse trompettist die de ietwat vrijere jazz en avant-garde meer dan eens openlijk heeft verketterd.

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Posted on 22.10.2021 in DEFAULT by Kagabei

Comments on 'Phryzzinian Man - Nate Wooley - (Dance To) The Early Music (CD, Album)' (2)

  1. Moogukus says:

     · Listen to (Dance To) The Early Music by Nate Wooley Quintet on Apple Music. Stream songs including "Hesitation", "For Wee Folks" and more.

  2. Tygozshura says:

     · (Dance To) The Early Music bridges the palpable distance between the two musicians as Wooley engages a program comprised predominately of Marsalis compositions with his working quintet. The album title delivers a dual temporal reference point to both Marsalis’ early work during his tenure on the Columbia label and Wooley’s own formative exposure to said albums as an adolescent.

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